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Let us begin with the most basic questions: Can oral traditions of music constitute a reliable source for historical research? While this question is applicable to most music…
Contributor:
Edwin Seroussi
Places:
Ramat Gan, Israel
Date:
1996
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“Practically everyone has seen the prize-winning musical about the lovable people in that little village in Old Russia called Anetevka [sic]. Well, as far as we’re concerned, ‘Fiddler’ made a goof!” M…
Contributor:
Barbara Kirshenblatt-Gimblett
Places:
New York, United States of America
Date:
2001
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It is well known that tunes of songs, no less than their texts, often provide an historical mirror of an exceedingly sharp focus. A special category of such songs are the so- called “migrating” or…
Contributor:
A. B. Yehoshua
Places:
New York, United States of America
Date:
1980
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In 1947, when Kurt Weill’s orchestral arrangement of Hatikva received its world premiere in New York, it was still—as it had been for decades—the anthem of the modern Zionist movement, expressing the…
Contributor:
Neil W. Levin
Places:
New York, United States of America
Date:
2004