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What if Miriam were remembered just as a person rescuing her brother Moses rather than as the heroine responsible for saving the man who would redeem the Jewish people from bondage?
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This 1934 illustration of the Passover story of the four sons features a caricature of the “wicked” son dressed as Hitler.
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A medieval rabbi barely escapes from a blood libel accusation at his own Seder table in this prescient nineteenth-century story by the famous German Romantic poet Heinrich Heine.
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The violence of the Passover song “Had Gadya” (“Who Knows One”) clearly spoke to this illustrator’s sense of horror following World War I.
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This graphic depiction of the Passover song “Had Gadya” (“Tale of a Goat”) juxtaposes the collective memory of the exodus from Egypt with Soviet revolutionary art and politics.
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The Exodus story serves as more than a religious or moral narrative. Its influence has shaped the fundamental paradigms of Western political thought to this day.