The Bessarabian-born painter Nahum Gutman moved to Tel Aviv when he was seven. He studied at the Bezalel School of Arts and Crafts and, in the 1920s, in Vienna, Berlin, and Paris. He returned to Mandate Palestine in 1926. His oils and watercolors often feature massive, highly stylized individuals. Though influenced by French expressionism, he saw himself as a rebel, turning his back on European traditions of painting and championing a style in harmony with the light and landscapes of Palestine.
The Rambam [Maimonides] wrote: The reason why the laws of women precede the laws of damages is in keeping with the order of the verses, as it is stated: If a man sell his daughter as a maidservant…
Jacob’s Ladder, painted by Grobman after immigrating to Israel, continues the artistic approach he formulated in the 1960s in the Soviet Union—i.e., “magical symbolism,” which used mystical imagery…
This rare example of a Roman ketubah (marriage contract) from the seventeenth century was written on the occasion of the marriage of Menahem ben Samuel Zadik to Zevia, daughter of the prominent banker…