The painter and decorative artist Ze’ev Raban (originally Wolf Rawicki) was born in Łódź, where he initially studied art; he continued his training in Munich and Brussels, where the influence of art nouveau was then at its zenith. He settled in Jerusalem in 1912 and joined the faculty of the Bezalel School of Arts and Crafts; most of the objects produced in its workshops between 1914 and 1929 were of his design. His style combined elements of art nouveau with motifs from traditional Syrian and Persian art. In addition to his striking and erotically charged art-nouveau works on biblical themes in a Jewish secular-national and Zionist vein, Raban also created the decorative elements for such well-known Jerusalem buildings as the King David Hotel and the YMCA, and designed a wide variety of everyday objects, including playing cards, banknotes, tourism posters, jewelry, commercial packaging, and Zionist insignia.
Ze’ev Raban painted this portrait of his wife, Miriam, in 1914, the same year they got married and he became head of the repoussé department at the Bezalel Academy of Arts and Design in Jerusalem. His…
Cover of the souvenir program of the fourth Arbeter Ring (Workmen’s Circle) convention, 1904. The Yiddish banner reads: “We fight sickness, premature death, and capitalism.”
The 1910s were a time of experimentation for Man Ray. Inspired by the paintings of European modernists at the Armory Show in New York in 1913, he began painting in an abstract style, one that…