Born in Algiers, painter Henry Valensi was a prominent figure of the French avant-garde at the turn of the twentieth century, leading a group of artists known as the Musicalistes (or Effusionists), who sought to express musical rhythm through abstract painting. Working between the 1930s and 1950s, the Musicalistes organized more than twenty exhibitions of their work in Paris, as well as several other group and solo exhibitions across Europe. As the epicenter of modern art in Europe during the early twentieth century, Paris offered Valensi a cohort of fellow abstractionists with whom he frequently exhibited. This group formed the collective Section d’Or in 1912, and included the artists Francis Picabia and Marcel Duchamp; they strongly influenced Valensi’s abstract, geometric style.
Solomon Nunes Carvalho painted this portrait of Wakara (ca. 1808–1855) of the Timpanogos tribe (later chief of the Utah Indians) after returning from a trip to the territories of Kansas, Colorado, and…
These small Torah finials, decorated with silver repoussé and dark- and light-blue enamel, originated in Persia. They are further adorned with slender flowers and graceful geometric patterns.
Tkhiyes-hameysim (The Resurrection of the Dead) is a dramatic poem by Moyshe Broderzon inspired by medieval Christian “mystery” (or “miracle”) plays that presented bible stories and were performed in…