The Russian Jewish and Soviet painter, theatrical designer, and sculptor Natan Altman was born in Vinnitsa (today, Vinnytsya, Ukraine). He studied in Odessa from 1903 to 1907 and moved to Paris in 1910, before returning to Russia. Like his contemporaries Marc Chagall and El Lissitzky, the young Altman was influenced by cubism and other emerging postrealist and postimpressionist approaches and generally saw himself as part of the general Russian-European art scene. Yet during World War I and the early years of the Russian Revolution, Altman also briefly grew interested in traditional East European Jewish folk art and in the possibility of a modernist Jewish national art. In those years, he produced his most famous sculpture, entitled Head of a Young Jew (Self-Portrait); an emblem in the Jewish folk style for the Hebraist youth publishing house Ahinoar; and abstract constructivist set designs for the burgeoning modernist Yiddish theater. Altman lived abroad from 1928 to 1935, and when he returned to the Soviet Union, he agreed to work in the then-required style of socialist realism.
In the early 1940s, Adolph Gottlieb created a new style of art, known as “pictographs,” which are grid-like compositions or asymmetrical arrangements of boxes. His subject matter was drawn from…
The lotus image on this ivory from Samaria was originally an Egyptian symbol of the life-giving power of the god Ra—experienced through the fragrance of the flower—and of the afterlife.
In this seventeenth-century map, Jerusalem is depicted as a fairly dense city within a wall, with only a few structures outside. Men in Arab dress stand in small groups conversing with one another in…