Anima (Her Soul): A Drama in Three Acts

Amelia Pincherle Rosselli

1898

Scene III

Giorgio [Entering]:

Am I disturbing you?

Olga:

So it seems! What good wind brings you here? Sit down.

Giorgio:

Thank you. I’m returning from the Exposition . . .

Olga:

Ah, you went! . . .

Giorgio:

. . . and passing by, I couldn’t resist the temptation to come in for a moment to tell you that your painting is a masterpiece.

Olga:

Nothing less!

Giorgio…
Please login or register for free access to Posen Library
Register
Already have an account?
Engage with this Source

Following the development of protagonist Olga and taking philosophical conceptions of love as its central subject, this play presents a protofeminist view of its contemporary Italian milieu. Notably, much of the play’s central drama is premised in the protagonist’s rape, a plot device the play uses to question societal views of sexual violence, marital hierarchy, and women’s independence. The drama was acclaimed when it first played, winning an accolade from the Italian government.

Read more

Creator Bio

Amelia Pincherle Rosselli

1870–1954

Born in Venice to an affluent Jewish family, Amelia Pincherle Rosselli was educated in a household actively involved in the national unification of Italy. She moved to Rome in 1885 with her family and there married Giuseppe Rosselli in 1892; they moved to Vienna afterward. Pincherle Rosselli began her career as a writer during this period, bringing her debut three-act drama Anima (Her Soul) to the stage in Turin in 1898. Pincherle Rosselli continued to publish novels, poetry, and plays for several more decades. She died in Florence.

You may also like

Naboth’s Vineyard

Act II, Scene 3Jezebel [Goes up to meet Ahab]:You have seen a conversion yourself? Do tell me!Ahab [Bewildered]:Oh Jezebel! I am dying! I cannot breathe![Sinks into a chair.]What is this? Am I seeing…
View Source

Di agune (The Chained Woman)

Rosa:Oh, is that you, my friend . . . I was beginning to wonder why I haven’t seen you for two days; I was about to accuse you . . . I was inclined to think that you didn’t want to see…
View Source

Madame Butterfly: A Tragedy of Japan

Madame Butterfly [Impassively, her eyes narrowing]:Speak concerning marriage once more, you die! [She fans herself. Suzuki salaams and backs quickly toward the door. Madame Butterfly claps her hands…
View Source

God, Man, and Devil

Hershele:For a long time . . . The first evening that you were with us, on Hanuka . . . you said that . . . that Freydenyu . . . my wife’s niece . . . that . . .Mischief:What could I have said about…
View Source

Manasse

Lazăr:My friend Matei has a doctorate in law as well.Șor:Another one. That much I understand. A doctor in medicine is feeding on the sick; a doctor in law is feeding on the quarrelsome, but what on…
View Source

Dreyfus

[Fabres alone]Fabres [Standing, reading the newspaper La Libre parole whose title appears in such big letters that it can be seen by the audience]:“Our information was confirmed in…
View Source