Born in Rostov-on-Don, a provincial town in southern Russia, to a family of Russian-speaking Jews, the photojournalist Emmanuel Evzerichin was raised with a traditional Jewish education. In the 1920s, Evzerichin joined the Communist Youth League. A chance meeting with the codirector of the Photo Union, who was visiting from Moscow, led to an offer of work, and eventually Evzerichin was employed by the Telegraph Agency of the Soviet Union for most of his career. The anticosmopolitan campaign of the 1940s threw the Soviet Jewish photography community into disarray; before, 50 percent of Soviet photographers were Jews, after, only Evzerichin and one other were still employed. Conditions worsened, however, and Evzerichin turned to teaching photography, which is how he lived out his career.
When I was twelve, I read The Diary of Anne Frank.
I identified with her having to live
stories above a busy street
over a business, and having to keep quiet
for hours at a time.
I’d pad about on…
This painting depicts the seventeenth-century physician William Harvey demonstrating his discovery of blood circulation, a seminal moment in the history of modern medicine. Harvey, personal physician…
Kuper is known for his work with found objects, such as spoons, saws, paintbrushes, and clocks. He depicts them in paintings and sometimes incorporates them into sculptures. The worn-out, quotidian…