Born in Shklov (now Sklou, Belarus) to a family of musicians, Michael Joseph (Mikhl Yosef, also Yekhiel Mikhl) Guzikov made inroads for traditional klezmer musicians into broader European music with his performances on the tsimbl, a variety of xylophone. The instrument remained popular in itinerant bands in Europe from the High Middles Ages until the early nineteenth century, when it caught on among bourgeois composers for use in symphony orchestras. Guzikov himself attracted the attention of Felix Mendelssohn and other renowned composers on his tours of the Russian Empire and Europe.
“Prayer is to religion what thinking is to philosophy. The religious sense prays as the intellectual organ thinks.” Prayer, to carry this saying of Novalis a step further, is a significant…
‘Arukh ha-shulḥan, oraḥ ḥayim § 75:7And now come and let us shout out against the licentiousness of our generation, on account of our many sins. For it has now been many years that the daughters of…
The ketubah is a religious and legal contract of marriage. Traditionally, it outlines the conjugal and economic conditions of a marriage and is written in Aramaic. This one, made in Bucharest, Romania…