Critical Notes on the Mishneh Torah: On Graven Images
Abraham ben David (Rabad)
1180
Abraham ben David’s critical notes (hasagot) on Maimonides’ Mishneh Torah were composed toward the end of his life, after that work had arrived in Provence. Printed alongside the Mishneh Torah for hundreds of years, Abraham’s comments reflect a deep study and appreciation of Maimonides’ contributions. They often record alternative interpretations, praise for Maimonides, and, famously, disagreements with him. In this excerpt, the issue at hand is the prohibition of graven images, which classically applies only to images that protrude from a wall but are here discussed in the context of a seal. According to Maimonides, protruding images of humans are generally prohibited, but in some cases seals with human images on them can be used. Maimonides also distinguishes between images of humans and those of heavenly objects, which elicits a series of objections by Abraham ben David.
Related Guide
Early Medieval Law and Religious Observance
Creator Bio
Abraham ben David (Rabad)
Abraham ben David of Posquières, known as Rabad, was perhaps the most important Jewish scholar in late twelfth-century Provence. He was born in Narbonne and married the daughter of Abraham ben Isaac (ca. 1110–1179), then the head of the rabbinic court in Provence. Although today best known for his critical glosses to al-Fāsī’s Halakhot and Maimonides’ Mishneh Torah, Abraham wrote several independent halakhic treatises, and responsa, as well as commentaries on mishnaic and talmudic tractates. He engaged in a bitter correspondence with Zeraḥiah ha-Levi of Girona, whom he probably knew when they were both students. No kabbalistic works from Abraham survive, but later kabbalists, such as his son, Isaac the Blind (ca. 1160–1235), asserted that he had had a deep knowledge of it.
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