The painter Morris Louis was born in Baltimore, where he attended the Maryland Institute of Fine and Applied Arts from 1929 to 1933. After four years living and working in New York, Louis returned to Baltimore to work as a private art instructor before making his final move to Washington, D.C., in 1952. The 1950s were pivotal for Louis’s career; he produced his most mature and celebrated works of art during this decade. While teaching at the Washington Workshop Center of the Arts, Louis met fellow abstract painter Kenneth Noland, with whom he visited the studio of Helen Frankenthaler. Louis was profoundly inspired by Frankenthaler’s work and incorporated her method of staining canvases into his own process, producing the color-field paintings for which he is known today.
Solomon Mikhoels (1890–1948), a Yiddish actor, director of the Moscow State Yiddish Theater (GOSET), and later chair of the Soviet Jewish Anti-Fascist Committee, was an iconic figure of Soviet Jewish…
This scene is from the 1917 Vilna Troupe production of Fishl Bimko’s Ganovim (Robbers), featuring, from left to right, Morris Tarlov, Avrom Teytlboym, Herts Grosbard, Luba Kadison, and Noyekh Nakhbush…
This is one of only four known self-portraits by Camille Pissarro. It was painted around the time that Pissarro and other rebellious artists broke from the traditional art establishment by forming…