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All-Merciful God
Moshe Gershuni
1988
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Israeli artist Moshe Gershuni was a pioneer of Israeli conceptual and performance art in the late 1960s. Among his many works exploring social and political issues is Red Sealing/Theatre, an installation of texts in Hebrew on the theme of “Who Is a Zionist?” at the Venice Biennale (1980). His prizes and honors include the Sandburg Prize, Israel Museum (1982), the Israel Minister of Culture Award for Painting and Sculpture (1988), and the Israel Prize (2003). His work is found at the Israel Museum; the Jewish Museum, the Getty Museum, and the British Museum.
Dear Brother:
It is an enchanting evening. The wind has been blowing steadily the whole day. It suddenly dropped at nightfall. All is still. There is no stir in the air. The world seems fast asleep. I…
Laurence’s Tefillin questions both western art and patriarchal aspects of Judaism. The triptych portrays parts of women’s naked bodies, bound in the leather straps of tefillin, the small black leather…
Once I was young, hung out
in doorways, listening to Socrates.
My closest pal, my lover
Had the finest chest in Athens.
Then came Caesar, and a world
glittering with marble—I
the last to go. For my…