Born in Livorno, Vittorio Matteo Corcos was named for Vittorio Emanuele II, ruler of the newly united Italy. Growing up in an Italian Jewish community that was never constrained to live in a ghetto, Corcos received a grant to leave his studies in Florence for Naples. Financed by King Umberto I, who acquired his L’arabo in preghiera (The Praying Arab, 1880), Corcos moved to Paris and befriended Giuseppe De Nittis, whose salons hosted Manet, Degas, and the art dealer Adolphe Goupil. In 1886, Corcos returned to Florence to serve in the grenadiers, converted to Catholicism, and married. He painted what was considered a scandalous series of portraits of independent, confident women, especially his 1896 Sogni (Dreams), featuring a defiant Elena Vecchi, with whom he was romantically involved. He also painted many society figures, notably Kaiser Wilhelm II (1904), Empress Amélie of Orléans (1905), and Benito Mussolini (1928).
This sketch for a costume was made for the role of Jitka in Dalibor, a Czech opera in three acts by Bedřich Smetana, first performed in 1868. The plot centers on the story of a Czech knight, Dalibor…
Figurine of female deity, Tel Batash, 14th century BCE. Similar plaque figurines of naked women, often with breasts and genitals emphasized or with pregnant bellies, were very common in the ancient…
In the month of Tishri, that is Epeiph, year four of Darius the king, then in Elephantine the fortress, Ananiah son of Haggai, an Aramean of Elephantine the fortress of the detachment of Iddinnabu…