Le Grand Pas (Score)
1881
Score of “Le Grand Pas” from the ballet Paquita, which premiered in Paris in 1846 and which, in adapted form, became a mainstay of classical ballet.
Credits
-
Courtesy Dr. Robert Ignatius Letellier.
-
Courtesy Dr. Robert Ignatius Letellier.
Published in: The Posen Library of Jewish Culture and Civilization, vol. 7.
You may also like
Jewish Dancer at Chicago’s World Fair
This portrait of Jewish dancer Rahlo Jammele is an example of the photographs of diverse people who came from around the world to participate in the 1893 World’s Fair.
Isadora Duncan
“Miss Duncan? The dancer? What is that—ballet?” No, it is not ballet. Missing here are the two predominant elements that make up modern ballet: there is neither dance technique nor women wearing…
Anna Pavlova as the Dying Swan
Anna Pavlova (1881–1931) in costume for the solo dance The Dying Swan, a role especially created for her, and which she performed an estimated four thousand times. Born in St. Petersburg and brought…
Dance Study
“Tanzstudie,” from Hans Brandenburg’s Der moderne Tanz. This "dance study" was based on an abstract, modernist dance performed by Alexander Sacharoff (1886–1963), whose distinctive expression and…
Narcisse
Program cover of a 1911 performance of the Ballet Russe at the Théâtre du Châtelet in Paris, showing Léon Bakst’s costume design for Narcisse.
Dance as a Solemn Ritual
The ballet season has begun with Swan Lake, in which the young ballerina Tamara Karsavina performed twice. The public is clearly interested in ballet, and among various segments of the Petersburg…
Engage with this Source
Restricted
Related Guide
The Expansion of Jewish Performance Art: Theater, Dance, and the Birth of Cinema
1880–1918
Jewish creativity in theater, dance, and early cinema expanded dramatically around the world, taking on nationalist significance for a Jewish cultural renaissance.
You may also like
Jewish Dancer at Chicago’s World Fair
This portrait of Jewish dancer Rahlo Jammele is an example of the photographs of diverse people who came from around the world to participate in the 1893 World’s Fair.
Isadora Duncan
“Miss Duncan? The dancer? What is that—ballet?” No, it is not ballet. Missing here are the two predominant elements that make up modern ballet: there is neither dance technique nor women wearing…
Anna Pavlova as the Dying Swan
Anna Pavlova (1881–1931) in costume for the solo dance The Dying Swan, a role especially created for her, and which she performed an estimated four thousand times. Born in St. Petersburg and brought…
Dance Study
“Tanzstudie,” from Hans Brandenburg’s Der moderne Tanz. This "dance study" was based on an abstract, modernist dance performed by Alexander Sacharoff (1886–1963), whose distinctive expression and…
Narcisse
Program cover of a 1911 performance of the Ballet Russe at the Théâtre du Châtelet in Paris, showing Léon Bakst’s costume design for Narcisse.
Dance as a Solemn Ritual
The ballet season has begun with Swan Lake, in which the young ballerina Tamara Karsavina performed twice. The public is clearly interested in ballet, and among various segments of the Petersburg…