Self-Portrait
After 1652
This portrait of Jacob Judah Leon Templo, one of three that are known, is believed to be a self-portrait. In it, he clutches a coat of arms featuring a lion, which he himself designed, and holds a pointer and a rope or thread. It was featured on a broadsheet that accompanied one of Templo's models of the Tabernacle.
Credits
Published in: The Posen Library of Jewish Culture and Civilization, vol. 5.
You may also like
The Jewish Cemetery at Ouderkerk
Moses and Aaron with the Ten Commandments
Portrait of Francisco Lopes Suasso as a Young Man
Portuguese Synagogue in Amsterdam, Interior
A Memento Mori
Portrait of Hezekiah da Silva
Places:
Related Guide
Early Modern Trade and Mercantilism
International trade drove Jewish mobility during the age of mercantilism, as Jewish merchants formed wide commercial networks and partnerships and developed cosmopolitan attitudes that facilitated civic inclusion.
Related Guide
Early Modern Visual and Material Culture
Early modern Jewish visual culture flourished, with illuminated manuscripts, ornate synagogues, and portraiture alongside increasing non-Jewish interest in Jewish customs and greater Jewish self-representation.
You may also like
The Jewish Cemetery at Ouderkerk
Moses and Aaron with the Ten Commandments
Portrait of Francisco Lopes Suasso as a Young Man
Portuguese Synagogue in Amsterdam, Interior
A Memento Mori