The Wolf of Baghdad: An Iraqi Jewish Memoir
Carol Isaacs
2020
In The Wolf of Baghdad, British artist Carol Isaacs retraces her Iraqi Jewish roots through a haunting graphic memoir that bridges memory and imagination. Subtitled Memoir of a Lost Homeland, the work takes readers on a journey through Baghdad’s vanished Jewish world, as Isaacs—drawn wearing an abaya—walks unseen among the ghosts of her ancestors. Neither fully present nor past, she embodies both exile and remembrance, bearing witness to a once-vibrant community now lost to history.
Credits
Carol Isaacs, illustration from The Wolf of Baghdad: Memoir of a Lost Homeland (Brighton: Myriad Editions, 2020). Used with permission of the publisher.
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In this image, the daughter of Iraqi Jewish parents returns to her family’s place of origin as a ghost dressed in an abaya, the traditional Iraqi clothing for Muslim women. Why does Carol Isaacs depict her this way?
What can you learn about Isaacs’s father from the way he is drawn in this image?
What themes or concepts from the story do you see reflected in the composition of the cartoon?
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Creator Bio
Carol Isaacs
Carol Isaacs was born in northwest London to a Jewish family that had fled Baghdad, Iraq, in the wake of the 1941 anti-Jewish riots known as the Farhud. She is the author of a graphic memoir and animated film about the lost world of Jewish Iraq, called The Wolf of Baghdad (2020). She works as a musician, playing the keyboard and the accordion, and as a cartoonist known as The Surreal McCoy.