Druksland
Michael Druks
1974–1975
Druks was commissioned to create this self-portrait in the form of a topographical map, by Steendrukkerij de Jong & Co., a large European printing house, who used it as a promotional gift for their clients. But it also quickly got attention in the art world as an important conceptual artwork. Druks experimented with mapping, a universal visual idiom, to use “international and visual language for individual purposes.” Configured in the shape of his head, the map has features like bodies of water and labels for local coordinates that correspond to events, people (e.g., artists), and places in his life—as well as to his political orientation.
Credits
© Michael Druks. Courtesy of Beardsmore Gallery, London.
Published in: The Posen Library of Jewish Culture and Civilization, vol. 10.
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Creator Bio
Michael Druks
1940–2022
Conceptual artist Michael Druks achieved renown as one of Israel’s most dynamic young artists in the 1960s–1970s with a body of work that includes painting, installations, and video. Druksland is part of a series that explores mapping as an artistic language. Druks’s work has been the subject of a number of solo exhibitions, including a career retrospective at the Museum of Art Ein Harod (2007). He has also participated in the Paris Biennale (1975) and documenta 6 (1977). He has lived in London since the 1970s.
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