Untitled (Paul Tannenbaum), from A Postcolonial Kinderhood

Reichek used needlework to comment on and subvert the embroidered sampler, an eighteenth- and nineteenth-century woman’s craft, transforming it into a feminist exploration of the exposure and repression of identity. In A Postcolonial Kinderhood, Reichek reimagined her childhood room. Her German-Jewish parents had filled their home with furnishings that expressed their devotion to living an assimilated American life. But in Reichek’s installation what look like ordinary American samplers are embroidered with messages that reveal their Jewish identity. 

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