Showing Results 191 - 200 of 1954
After the Yom Kippur War (1973), it became increasingly common for Israeli artists to address political issues and criticize Israeli society. In 1974, Na’aman placed two signs on the Tel Aviv beach…
Jacob’s Ladder, painted by Grobman after immigrating to Israel, continues the artistic approach he formulated in the 1960s in the Soviet Union—i.e., “magical symbolism,” which used mystical imagery…
In the 1970s, Weisel, the daughter of Holocaust survivors, made a series of abstract paintings inspired by her father’s tattoo from Auschwitz. The central rectangle in this painting resembles a…
This page from a kabbalistic manuscript depicts the inner processes of the divine (the sefirot). Visualization plays an important part in kabbalah, and these diagrams provided a divine cartography…
This cast and gilded bronze amulet from Italy includes a pair of dolphins as a design element. It is inscribed in Hebrew: “May no evil grieve you.”
Shabbetai Tzvi was the central figure of a messianic movement that swept the Jewish world in the mid-seventeenth century. Born in Izmir (Smyrna), as an adolescent Shabbetai Tzvi embarked on the study…
This is the title page and the first page of Pitron ḥalomot (Dream Interpretation), a work incorrectly attributed to Hayya ben Sherira Ga’on. The book was published by Gershom ben Eliezer Soncino (d…
Simcha (Gimar) Belmonte (born Vaz; 1582–1643) was the wife of Jakob Israel Belmonte (a poet, writer, and trader). She and her husband were among the founders of the Jewish community in Amsterdam after…
The rhymed Hebrew inscription below the picture of Yeḥiel Mikhel ben Nathan of Lublin notes that he had formerly been a cantor in Lublin and is presently serving in that role in Amsterdam, in 1699…
This silver plate from Padua, Italy, was made for use in the brit milah, the circumcision ritual celebrated when a baby boy is eight days old. In this detailed depiction of the ritual, the baby seems…
