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Framed piece of paper with three columns of text: single letters in left column, numbers in middle column, and Hebrew text in right column.

Source

Omer Board

1730

Portrait painting of woman in dress sitting with her hands in lap.

Source

Portrait of Abigaill Franks (1696–1756).

Gerardus Duyckinck I

1735

Two silver finials with bells.

Source

Torah Finials (New York)

1730

Painting of interior of wooden house filled with people, objects, and animals.

Source

It Could Always Be Worse: A Yiddish Folk Tale

Margot Zemach

1977

Painting of city street with bridge over river in foreground and several figures on the far side of the bridge.

Source

The Treasure

Uri Shulevitz

1978

Drawing of crowd of people, with two figures holding Torah scrolls in the center, all surrounded by a checkered border.

Source

Rosh Hashanah and Yom Kippur

Howard Greenfeld | Elaine Grove

1979

Joseph Who Loved the Sabbath

Source

Joseph Who Loved the Sabbath

Marilyn Hirsh | Devis Grebu

1986

Drawing of window with page of English text over it, about man waiting in synagogue with menorah and candles until monstrous figure arrives.

Source

Hershel and the Hanukkah Goblins

Eric A. Kimmel | Trina Schart Hyman

1989

Painting of child sitting at a kitchen table filled with books and objects, with doorway with cats sitting on either side in the background, and English text above that describes the colors of nature.

Source

God’s Paintbrush

Sandy Eisenberg Sasso | Annette Compton

1992

Drawing of someone fishing in a pond with images of himself in different professions above his head.

Source

Elijah and the Fisher Boy

Nina Jaffe | Elivia Savadier

1997

Page with the Hebrew letter aleph, and English text describing the significance of the letter.

Source

The Bible from Alef to Tav

Penina V. Adelman | Michael Jacobs

1998

Drawing of people on a hill waving their arms as two round objects roll away smiling and English text along the bottom about latkes rolling toward the river.

Source

The Runaway Latkes

Leslie Kimmelman | Paul Yalowitz

2000