German Jewish Parnassus
Moritz Goldstein
1912
One hundred and odd years ago, the walls that imprisoned us Jews in a mental ghetto fell, torn down by Christian advocates of human rights who are assured of our eternal gratitude. After having been banished into a corner, the Jews were suddenly called into daylight and to the open table; they were famished for knowledge and education and greedily…
This text should be read in conversation with Ludwig Strauss’s response, “An Exchange on the Jewish Question” and Walter Benjamin’s “Letter to Ludwig Strauss.”
Related Guide
Politics, Culture, and Religion at the Turn of the Twentieth Century
Jewish politics became more ideological, driving cultural change and defining nationalism. Tensions arose between secular movements and religious traditionalism.
Creator Bio
Moritz Goldstein
Born in Berlin to an assimilated Jewish family that eschewed Jewish ritual, Moritz Goldstein received a doctorate in German literature in 1906 and pursued a career as a journalist, poet, novelist, and playwright with mixed success. In the years before World War I, he was one of a number of young German Jewish intellectuals who criticized German Jewry’s deep cultural assimilation and called on Jews to turn toward cultural creativity in a national Jewish vein. His 1912 essay “German Jewish Parnassus” trod heavily on the sensitive question of whether German Jews played an outsized role in shaping contemporary German high culture: he argued that Jews were fooling themselves as to the degree of their acceptance in German national life and tenability of their cultural prominence. The essay touched off a heated debate in German and German Jewish letters, several pieces of which appear in this volume. He left Germany in 1933, lived in Italy until 1938, and then immigrated to the United States, where he lived the rest of his life.