I will sing and I will make music
Eleazar be-Rabbi Qillir
7th Century
Blessed are You, O Lord our God, Ruler of the world, who fashions light and creates darkness, who makes peace, and creates all: / Eternal light / [from within the] storehouse of life; / “Light from out of darkness!” / He said, “. . . And it was so. ”
This piyyut is perhaps the earliest yotser (yotzer) written on the Song of Songs. A yotser is meant to be recited inside the blessing before the Shema‘ that begins “He who creates (yotser) light.” This one was likely intended for recitation on Passover, when the Song of Songs would be read in the synagogue. Its themes connect to some of the blessings; this excerpt focuses on the Exodus from Egypt. Many later authors would come to imitate Qil-lir’s choices here and integrate Song of Songs into their own yotserot. The biblical city of Zoan, in Egypt, here stands in for the Egyptians in general.
Related Guide
Early Medieval Liturgical Poetry (Piyyut)
Creator Bio
Eleazar be-Rabbi Qillir
Eleazar be-Rabbi Qillir, who may have lived in Tiberias, was probably the most consequential and prolific early paytan (liturgical poet). The details of Qillir’s life are shrouded in mystery, though he was apparently a student of another prominent paytan, Yannai, whose many poems were–unlike Qillir’s–lost for centuries until they were unearthed in the Cairo Geniza. Qillir’s poetry incorporated midrashic allusions and dense language. In the twelfth century, Abraham Ibn Ezra sharply criticized Qillir’s poetry as overly complex, difficult to follow, and containing too many neologisms (see Abraham Ibn Ezra, Commentary: On Ecclesias-tes). Nevertheless, many later medieval poets sought to imitate Qillir’s style, and his infuence and importance continued for centuries. Some of his piyyutim remain a central part of the Jewish liturgy.