La Ghriba Djerba, Tunisia
1939–1949
Jules Lellouche painted the interior of this synagogue in Djerba during World War II, when Tunisia was ruled by Vichy France. Though Tunisia’s Jewish community escaped mass deportations and murder in death camps, it was subject to antisemitic policies. Several thousands were sent to forced labor camps, and in accordance with Vichy laws, the Jews were forced to wear the yellow Star of David and much private property was confiscated. Lellouche painted this picture in the impressionist style for which he was known. He depicted the synagogue as mostly empty, with only the hint of a few worshippers at the far end of the room.
Credits
Private collection. © Estate of Jules Lellouche.
Published in: The Posen Library of Jewish Culture and Civilization, vol. 9.
You may also like
Untitled—Three Men and a Horse in the Shtetl
Though he was born and lived all his life in North America, Norman Leibovitch’s oeuvre included not only depictions of the Montreal neighborhood where he grew up and Canadian landscapes, but many…
D Day Rescue, Omaha Beach, France. June 6, 1944
Though this photograph of Second Lieutenant Walter Sidlowski with the body of a soldier killed during the Allied assault on Omaha Beach has gone down in history as a photograph of D-Day, it was…
Untitled, Execution: Babi Yar series. Nizhny Tagil or Leningrad
Felix Lembersky’s three Babi Yar paintings were among the first artistic representations of the Nazi massacre in Kyiv, when, over the course of two days in September 1941, over 33,000 Jews were…
Home! Home?
After surviving the war, Miklós Adler returned to his hometown of Debrecen and created sixteen woodcuts, signing them Ben Binyamin (“son of Benjamin”) in honor of his father. In this woodcut…
V-J Day in Times Square. August 14, 1945
Alfred Eisenstaedt shot one of the most iconic photographs of the twentieth century in Times Square, where crowds were gathering to watch the electric news ticker for an anticipated announcement by U…
And G-d Remembered Rachel . . . And She Conceived, and Bore a Son
Abel Pann devoted much of his artistic career to painting and drawing scenes from the Hebrew Bible. Like other Jewish artists who worked in this genre, such as Ephraim Moses Lilien and Ze’ev Raban, he…
Engage with this Source
Restricted
Related Guide
Visual and Material Culture in the Mid-Twentieth Century
1939–1973
Jewish visual art flourished and diversified in the postwar period, reflecting the social and political transformations taking place in the world.
You may also like
Untitled—Three Men and a Horse in the Shtetl
Though he was born and lived all his life in North America, Norman Leibovitch’s oeuvre included not only depictions of the Montreal neighborhood where he grew up and Canadian landscapes, but many…
D Day Rescue, Omaha Beach, France. June 6, 1944
Though this photograph of Second Lieutenant Walter Sidlowski with the body of a soldier killed during the Allied assault on Omaha Beach has gone down in history as a photograph of D-Day, it was…
Untitled, Execution: Babi Yar series. Nizhny Tagil or Leningrad
Felix Lembersky’s three Babi Yar paintings were among the first artistic representations of the Nazi massacre in Kyiv, when, over the course of two days in September 1941, over 33,000 Jews were…
Home! Home?
After surviving the war, Miklós Adler returned to his hometown of Debrecen and created sixteen woodcuts, signing them Ben Binyamin (“son of Benjamin”) in honor of his father. In this woodcut…
V-J Day in Times Square. August 14, 1945
Alfred Eisenstaedt shot one of the most iconic photographs of the twentieth century in Times Square, where crowds were gathering to watch the electric news ticker for an anticipated announcement by U…
And G-d Remembered Rachel . . . And She Conceived, and Bore a Son
Abel Pann devoted much of his artistic career to painting and drawing scenes from the Hebrew Bible. Like other Jewish artists who worked in this genre, such as Ephraim Moses Lilien and Ze’ev Raban, he…