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The Liberation of G-d
Helène Aylon
1996
View of “The Liberation of G-d,” part of an installation titled Trilogy and Epilogue, in which Helène Aylon highlights misogynist passages in the Hebrew Bible and other canonical Jewish religious texts.
View of “The Liberation of G-d,” part of an installation titled Trilogy and Epilogue, in which Helène Aylon highlights misogynist passages in the Hebrew Bible and other canonical Jewish religious texts.
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Born in New York, Helène Aylon was an American ecofeminist artist whose works address biological, ecological, and theological concerns, including the omission of women’s roles in Judaism. The recipient of two awards from the National Endowment for the Arts, Aylon exhibited her artwork across the United States and was writing a memoir. The Liberation of G-d is part of an installation titled Trilogy and Epilogue, in which Aylon highlights misogynist passages.
It is not enough to see a statue. A statue has to be sensed with the fingertips. In our imagination we touch the statue, caress it, examine its rounded and hollow surfaces, and by doing so our sense…
I run on the bridge
and the children follow
Yonatan
Yonatan they call
a little blood
just a little blood to finish up the honey
I’d let them pierce me with tacks
but the children want
and they are…