View of “The Liberation of G-d,” part of an installation titled Trilogy and Epilogue, in which Helène Aylon highlights misogynist passages in the Hebrew Bible and other canonical Jewish religious texts.
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Born in New York, Helène Aylon was an American ecofeminist artist whose works address biological, ecological, and theological concerns, including the omission of women’s roles in Judaism. The recipient of two awards from the National Endowment for the Arts, Aylon exhibited her artwork across the United States and was writing a memoir. The Liberation of G-d is part of an installation titled Trilogy and Epilogue, in which Aylon highlights misogynist passages.
Israel Paldi was a member of the Land of Israel movement, a group of post-impressionist artists who, in the 1920s, broke with the conventions of the Bezalel School. Some, like Paldi, became well-known…
To the great master, the stronghold and tower, his name is increasingly great, he is my beloved master, the juice of my pomegranate (Song of Songs 8:2), my olive brimming with oil, Josheb-basshebeth a…