Quiet, Quiet
Mani Leib
1914
For Zishe Landau
Quiet, quiet, no loud talk!
Stand bent over, pale and dark,
Crouched up in a ball of pain,
Shut up—holding your breath in.
Out of the deep night
He’ll ride up on a white horse
Heard by no one, then come right
In the silence to our house.
From his pure countenance
And his clothing all in white
We’re struck by joy’s exhalations
And by his…
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Related Guide
The Birth of Modern Secular Writing at the Turn of the Twentieth Century
1880–1918
As a generation of Jewish novelists, poets, and dramatists came of age, modern Jewish secular texts and journalism flourished in Jewish and European languages.
Creator Bio
Mani Leib
1883–1953
Mani Leib was the pen name of the American Yiddish poet Mani Leib Brahinsky. Born in Nizhyn in the Russian Empire, now Ukraine, he ended his formal education at the age of eleven, when he was apprenticed to a bootmaker. While still in his teens, Mani Leib was twice arrested for revolutionary activities. He emigrated in 1905, spent a year in England, and settled in New York in 1906. He worked throughout his life as a shoemaker. A central figure in Yiddish poetry’s first avant-garde, New York’s Di Yunge (The Young Ones), Mani Leib proved that Yiddish could be used to create poetry of delicacy, subtlety, and beauty. His poetry was remarkable for its sound, using alliteration, cadence, repetition, and sibilance to create effects both of stillness and harmony and of love, joy, and bravado, as in “I Have My Mother’s Black Hair.” Leib also wrote much poetry for children. His weird and joyful story of a fearless heder boy, “Yingl-tsingl-khvat,” became a classic and made its way to East European Yiddishist circles, where it was illustrated by the great cubo-futurist and constructivist artist El Lissitzky in 1918.
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