Born in Algiers, painter Henry Valensi was a prominent figure of the French avant-garde at the turn of the twentieth century, leading a group of artists known as the Musicalistes (or Effusionists), who sought to express musical rhythm through abstract painting. Working between the 1930s and 1950s, the Musicalistes organized more than twenty exhibitions of their work in Paris, as well as several other group and solo exhibitions across Europe. As the epicenter of modern art in Europe during the early twentieth century, Paris offered Valensi a cohort of fellow abstractionists with whom he frequently exhibited. This group formed the collective Section d’Or in 1912, and included the artists Francis Picabia and Marcel Duchamp; they strongly influenced Valensi’s abstract, geometric style.
This Torah ark curtain from Venice was made by Simḥah, the wife of Menachem Levi Meshuallami, a member of a prominent family in the Venice ghetto. It is embroidered in silk and silk-metallic thread…
The heading of this advertisement for an “excursion” offered by the Yiddish daily newspaper Forverts reads: “From where are you a landsman?” (i.e., What town did you come from in the old county?). It…
In 1920 and 1921, Broderzon, the guiding force of Yung-yidish (Young Yiddish), a literary and artistic group he co-founded in Łódź, published over half a dozen books of poetry and plays. Prolific and…