Sources available online now cover all published volumes—including the biblical (through 332 BCE) and early modern to contemporary periods (1500–2005). Sign up here for free access and updates.
Symphonie Vitale
Henry Valensi
1952
Image
Please login or register for free access to Posen Library
Born in Algiers, painter Henry Valensi was a prominent figure of the French avant-garde at the turn of the twentieth century, leading a group of artists known as the Musicalistes (or Effusionists), who sought to express musical rhythm through abstract painting. Working between the 1930s and 1950s, the Musicalistes organized more than twenty exhibitions of their work in Paris, as well as several other group and solo exhibitions across Europe. As the epicenter of modern art in Europe during the early twentieth century, Paris offered Valensi a cohort of fellow abstractionists with whom he frequently exhibited. This group formed the collective Section d’Or in 1912, and included the artists Francis Picabia and Marcel Duchamp; they strongly influenced Valensi’s abstract, geometric style.
Sheet music for “Cohen Owes Me Ninety-Seven Dollars,” a comic song about a Jewish businessman on his deathbed trying to collect money owed him. “Yiddish dialect songs” were popular performance pieces…
He Cast a Look and Went Mad depicts traditional East European Jews in some sort of religious setting but invokes in its title the classic talmudic legend of the sage who “looked and was injured” when…
Morris Topchevsky painted Leaflets when he was an art instructor at the Abraham Lincoln Centre in Chicago, where the majority of students were Black. Here we see African Americans holding posters with…