Amalia Moscovitz was born in Budapest and raised primarily on the estate of her affluent, assimilated family in Alsókörtvélyes (today Hrušov, Slovakia). Anna Lesznai—her artistic pseudonym—became active in Budapest’s avant-garde salons as a teenager. She wove her many different media—painting, poetry, illustration, scholarship, folktales, and Hungarian embroidery (himzés)—into a coherent artistic-intellectual modernist aesthetic. In 1939, Lesznai fled Hungary for America, with her soon-to-be (third) husband, Tibor Gergely. There she taught pedagogical and applied arts at Wellesley College and elsewhere.
Why does the name of Orpheus, “the first of the world’s singers,” as Lefranc de Pompignan called him, appear on the title-page of this volume? Because he was not merely “the first singer,”…
Good night, wide world.
Big, stinking world.
Not you, but I, slam the gate.
In my long robe,
With my flaming, yellow patch,
With my proud gait,
At my own command—
I return to the ghetto.
Wipe out…