Concluding Kedushta Poem (Silluk) for Rosh Hashanah

“U-netaneh tokef” is perhaps the best-known ancient piyyut, still recited in synagogues today on Rosh Hashanah and Yom Kippur. The poem is Byzantine, from the land of Israel, and may have been written by the sixth-century poet Yannai. (A twelfth-century Ashkenazic legend, which aims to justify the poem’s recitation by Ashkenazic communities, attributes the authorship to an apocryphal martyr, Rabbi Amnon of Mayence, who appears in a dream to Rabbi Kolonymos ben Meshullam ben Kolonymos, urging the poem’s recitation.) The piyyut expands on the tradition in m. Rosh Hashanah 1:2 that “on New Year’s Day, all humans pass before God [in judgment] as in a military muster.”

Formally, the poem is the concluding unit (silluk) of a kedushta, a series of nine poems that relate to the first three blessings of the Tefillah and transition into the recitation of the Kedushah.

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“U-netaneh tokef” is perhaps the best-known ancient piyyut, still recited in synagogues today on Rosh Hashanah and Yom Kippur. The poem is Byzantine, from the land of Israel, and may have been written by the sixth-century poet Yannai. (A twelfth-century Ashkenazic legend, which aims to justify the poem’s recitation by Ashkenazic communities, attributes the authorship to an apocryphal martyr, Rabbi Amnon of Mayence, who appears in a dream to Rabbi Kolonymos ben Meshullam ben Kolonymos, urging the poem’s recitation.) The piyyut expands on the tradition in m. Rosh Hashanah 1:2 that “on New Year’s Day, all humans pass before God [in judgment] as in a military muster.”

Formally, the poem is the concluding unit (silluk) of a kedushta, a series of nine poems that relate to the first three blessings of the Tefillah and transition into the recitation of the Kedushah.

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