Jewish Refugees in Shanghai Woodcut
David Ludwig Bloch
1943–1945
During World War II, as most nations barred Jewish refugees, Shanghai became a rare haven due to its divided international administration by British, American, French, and Japanese authorities. Between 1937 and 1941, about twenty thousand Jews found refuge there, including David Ludwig Bloch, a German lithographer and Dachau survivor. After Japan took full control of the Chinese city in 1943, authorities forced stateless Jews into the Hongkew ghetto, where harsh conditions, disease, and abuse claimed many lives. Bloch’s woodcut of presenting his pass to a guard captured the daily struggle for dignity and survival.
Credits
David Ludwig Bloch, “Shanghai Ghetto,” 1943–1945. Woodcut: ink on rice paper, 5.5 x 9.1 in. Courtesy of Leo Baeck Institute.
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The large safety pin reads, “In town, Tojo’s Imperial Army and Navy rule.” What do the other inscriptions convey? How does the saturation of the woodcut with words express the refugees’ experience?
How does Bloch depict himself and the guard? What ideas about refugees’ experiences or identities does he communicate through these figures?
Bloch created this artwork while interned in the ghetto. What practical challenges might he have faced? What might creating art under such conditions have meant for him and for other internees?
Creator Bio
David Ludwig Bloch
David Bloch was a German-born Jewish artist, made deaf as a child by meningitis. He was born in Floss, Bavaria, and later moved to Munich. He studied commercial art at various schools for the deaf and became a porcelain decorator, until he was fired from his job and later expelled from the State Academy of Applied Arts in Munich, in both cases for being Jewish. Arrested in 1938 during Kristallnacht and detained at Dachau for four weeks, he eventually escaped Nazi persecution, ultimately finding refuge among fellow European Jews in Shanghai. There, Bloch created evocative watercolors and woodcuts, documenting city life and the refugee experience. He later married Lilly Cheng Disiu, also deaf, before immigrating to the United States in 1949. In Mount Vernon, NY, Bloch worked for decades as a commercial lithographer. After he retired and visited Germany, including Dachau, in 1976, he focused his art on Holocaust themes.
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