An Elegant Composition concerning Relief after Adversity and Ease after Anguish

An Elegant Composition concerning Relief after Adversity and Ease after Anguish (Kitāb al-faraj ba‘d al-shidda wa-’l-sā‘a ba‘d al-ḍīqa) is a collection of sixty-six stories in Judeo-Arabic. While some are elaborations of or variations on talmudic legends, others are directly borrowed from Islamic literature, and still others have not yet been sourced. Nissim’s work falls into a classic Arabic genre, called “relief after adversity” (faraj ba‘d al-shidda), which were anthologies of stories of God saving people from distress. This excerpt echoes a story about Moses and an unnamed miracle worker that can be found in the Qur’ān (18:64–80). Nissim’s work circulated widely in the Middle Ages, particularly in Hebrew translation under the title An Elegant Composition about Salvation (Ḥibbur yafeh min ha-yeshu‘a), and was popular into the early modern and modern periods, with printed editions appearing in Hebrew and Yiddish.

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An Elegant Composition concerning Relief after Adversity and Ease after Anguish (Kitāb al-faraj ba‘d al-shidda wa-’l-sā‘a ba‘d al-ḍīqa) is a collection of sixty-six stories in Judeo-Arabic. While some are elaborations of or variations on talmudic legends, others are directly borrowed from Islamic literature, and still others have not yet been sourced. Nissim’s work falls into a classic Arabic genre, called “relief after adversity” (faraj ba‘d al-shidda), which were anthologies of stories of God saving people from distress. This excerpt echoes a story about Moses and an unnamed miracle worker that can be found in the Qur’ān (18:64–80). Nissim’s work circulated widely in the Middle Ages, particularly in Hebrew translation under the title An Elegant Composition about Salvation (Ḥibbur yafeh min ha-yeshu‘a), and was popular into the early modern and modern periods, with printed editions appearing in Hebrew and Yiddish.

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