Beautiful down to the foot

This Hebrew poem has survived in scattered fragments from the Cairo Geniza and summarizes the laws of tefillin (phylacteries), using material drawn mainly from the talmudic tractate Menaḥot. Isaac’s name appears in the acrostic, and the poem adheres to the Arabic-style quantitative metrics popularized by the Hebrew poets of al-Andalus. The reference to “splendor” in the opening line draws on the rabbinic understanding of this word, when it occurs in Ezekiel 24:17, as referring to tefillin. The name of God, Shaddai, is mentioned twice in the excerpt here; its letters are spelled out on the boxes and in the knots of tefillin.

Beautiful down to the foot, you wear the “splendor” of every nation;
   may the sight of the name Shaddai be your strength.
Lend your heart and ear
   to His commandments and statutes:
And it shall be for a sign upon your hand,
   and for frontlets between your eyes (Exodus 13:16).
The Rock commanded. He wanted for the nation
   the statute of tefillin and their laws,
And the command of how they must be made is:
   “from that which is permitted to their mouths.”1
They should not be reduced to less than one
   for the hand and four for the head;2
Square, with black straps,
   their decorative side on the outside.
The skins must be prepared for the sake of the commandment,
   and their straps must be as wide as a grain of barley.
There is a fixed measure for their length:
   to the index finger;
They must have a proper ma’abarta3 and a titura,4
   both in accordance with their laws,
The name of Shaddai your Master
   you shall place on their flat surface and tie into their knots:
And it shall be for a sign upon your hand,
   and for frontlets between your eyes.
Etch their chapters, without distortion,
   on parchment.
In their order of their appearance in the Book:
   the four chapters of the tefillin of the hand.
If one changes the order, he has perverted
   their requirements and laws.
The law is that their writing does not require
   lines;5
But one must write and tie in the manner of the Upright One,
   with tags placed on their letters;
And both of them are invalidated
   if they are prepared in any of nine ways.
And you shall write them [u-ketavtam] (Deuteronomy 6:9): a complete writing [ketav tam],
   but they do not have to be from a valid writing.6
They must be sewn with sinews
   and tied with hair [see b. Shabbat 28b].
Translated by Avi Steinhart.
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This Hebrew poem has survived in scattered fragments from the Cairo Geniza and summarizes the laws of tefillin (phylacteries), using material drawn mainly from the talmudic tractate Menaḥot. Isaac’s name appears in the acrostic, and the poem adheres to the Arabic-style quantitative metrics popularized by the Hebrew poets of al-Andalus. The reference to “splendor” in the opening line draws on the rabbinic understanding of this word, when it occurs in Ezekiel 24:17, as referring to tefillin. The name of God, Shaddai, is mentioned twice in the excerpt here; its letters are spelled out on the boxes and in the knots of tefillin.

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