Showing Results 11 - 20 of 38
Palace façade in Assyrian relief, Khorsabad. This illustration is based on an Assyrian relief from the palace of Sargon II (reigned 722–705 BCE), Khorsabad. The relief shows pillars topped by volute…
The palm and the palmette are common iconographic elements in ancient Near Eastern art, appearing, for example, in ivory decoration (see Ivory and Bone Carvings and Engraved Seashells) and in Assyrian…
In these fragments of a mural from Kuntillet Ajrud, only partially preserved, a seated male figure appears to be wearing a wide-collared yellow garment. A long sidelock is visible in front of his ear…
Jacob Ries (1660–1751) of Prague first worked as a badchan (jester) for weddings. In 1710, he became court jester in Vienna under Charles VI. The artist of this portrait of Ries is not known. It…
Tomb of Cyrus, King of Persia (reigned 559–530 BCE). The tomb stands in Cyrus’ capital, Pasargadae (near today’s Shiraz, Iran). See the Cyrus Cylinder for Cyrus’ role in the return of Judeans from…
Phoenician ship in Assyrian relief from palace of Sennacherib (reigned 705–681 BCE), Nineveh. Transport galleys flee Tyre in the face of Sennacherib’s attack in 701 BCE. Soldiers and passengers stand…
This impressive cut-paper birth amulet is in the form of the double eagle, the symbol of the Habsburg Monarchy (and pre-partition Poland) and thus a popular motif in Galician Jewish folk art. It is…
In Alexander Tyshler’s illustration for a Yiddish version of the Sleeping Beauty story, characters seated around a table are packed together like puzzle pieces, enclosed in a rectangular shape from…
Antiochus IV on Seleucid Coin, 175 to 164 BCE. The apocalyptic visions in chapters 7 to 12 of the book of Daniel are presented as prophecies to the figure of Daniel, who was in service to the kings of…
The masonry in the royal palace of Samaria, the capital of the Northern Kingdom, is considered the finest example of ashlar masonry from the Iron Age. The blocks are cut so well that they fit together…
