The Past and the Future of Yiddish Theater
Mark Rivesman
1918–1919
The Jewish intelligentsia, the Jewish art patrons showed no sign of attention to Yiddish theater. A sickly weakling, it was born in southern Russia forty years ago, and has remained anemic and weak to this day. The pioneer of Yiddish theater, Avrom Goldfaden, may have been cultural and talented, to a certain extent; but he had absolutely no idea of…
Related Guide
The Expansion of Jewish Performance Art: Theater, Dance, and the Birth of Cinema
Jewish creativity in theater, dance, and early cinema expanded dramatically around the world, taking on nationalist significance for a Jewish cultural renaissance.
Creator Bio
Mark Rivesman
Born Mordkhe Rivesman in Vilna, Mark Rivesman had a traditional heder education until age twelve, after which he attended a Russian gymnasium. After teaching at Yiddish schools in Vilna for several years, Rivesman moved to St. Petersburg and began working with the Society for the Promotion of Culture Among the Jews of Russia (OPE) in 1896. He contributed regularly to Yiddish papers, notably Der fraynd, as well as Russian-language Jewish publications. In addition to his literary activity, Rivesman was involved with the Society for Jewish Folk Music, becoming a board member in 1912, as well as with several Jewish theater organizations, including the avant-garde director Alexis Granowsky’s studio. During his career, Rivesman wrote and translated several plays into Yiddish and Russian. he also wrote the Hanukkah song “Khanuke, Oy Khanuke!,” well known in the United States and elsewhere.
You may also like
Thieves
The First Habima Theater Audience
Komishe nakht (Comical Night)
Photographs of Donat Herrnfeld
Announcement for Bar Giora Performance