This printed amulet, from Germany, was made for infant boys. The amulet has a companion, for a girl child (see “Amulet for a Newborn Girl”). The text in the center of the amulet is surrounded by a…
Hebrew manuscript illustration underwent a revival in eighteenth-century Germany and Central Europe. As wealthy Jews began to commission such manuscripts, a school of scribes and artists emerged. This…
The three art nouveau-influenced covers by Ber Kratko for three of Y. L. Peretz’s plays feature somewhat grotesque figures. The one for Vos in fidele shtekt (What Sticks in the Fiddle) features a…
This printed amulet, from Germany, was made for infant boys. The amulet has a companion, for a girl child (see “Amulet for a Newborn Girl”). The text in the center of the amulet is surrounded by a…
Hebrew manuscript illustration underwent a revival in eighteenth-century Germany and Central Europe. As wealthy Jews began to commission such manuscripts, a school of scribes and artists emerged. This…
The three art nouveau-influenced covers by Ber Kratko for three of Y. L. Peretz’s plays feature somewhat grotesque figures. The one for Vos in fidele shtekt (What Sticks in the Fiddle) features a…