Song of Songs Rabbah

The exegetical midrash of Song of Songs Rabbah domesticates the highly erotic biblical Song of Songs by interpreting it as an expression of the deep mutual love of God and Israel and pointing to messianic redemption. The rabbis’ intertextual method of interpretation is explicitly described in Song of Songs Rabbah 1:1:8. In this passage, it is said that Solomon, under the influence of a holy spirit, composed meshalim (proverbs, parables)—first and foremost the books of Proverbs, Ecclesiastes, and the Song of Songs—that made it possible to comprehend the Torah. Here the rabbis refer to their practice of linking verses from Proverbs, Ecclesiastes, and the Song of Songs with pentateuchal verses and decoding the former as references to the latter, thereby releasing, or generating, deeper meanings. In the case of the Song of Songs, since God’s love for Israel was manifested in the Exodus, in the revelation of the Torah at Mount Sinai, and in the construction of the sanctuary and Temple, the book is frequently linked with and decoded in terms of these events. In Song of Songs Rabbah 1:2:1, different sages apply the verse “Let him kiss me with the kisses of his mouth” (Song 1:2a) to different moments in Israel’s history, filling those moments with a passion and intimacy not evident in the original narrative. Similarly, in Song of Songs Rabbah 2:1:1, the verse “I am a rose [ḥavatselet] of Sharon” (Song of Songs 2:1) is interpreted as the speech of Israel at various times in her history—including the future redemption—creating a portrait of Israel as God’s precious beloved who blossoms in grateful response to His providential care. Finally, Song of Songs Rabbah 1:2:2 contains a self-promoting interpretation of Song of Songs 1:2b, “For your love is [or: lovers are] better than wine,” according to which the rabbis (lovers) and their teachings are more precious than the Torah (wine). In a hyperbolic expansion of this principle, the midrash claims that the violation of rabbinic halakhah is more severely punished than the violation of a positive biblical precept, that rabbis are superior to the prophets, and that the rabbis are to be obeyed even in cases of error.

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The exegetical midrash of Song of Songs Rabbah domesticates the highly erotic biblical Song of Songs by interpreting it as an expression of the deep mutual love of God and Israel and pointing to messianic redemption. The rabbis’ intertextual method of interpretation is explicitly described in Song of Songs Rabbah 1:1:8. In this passage, it is said that Solomon, under the influence of a holy spirit, composed meshalim (proverbs, parables)—first and foremost the books of Proverbs, Ecclesiastes, and the Song of Songs—that made it possible to comprehend the Torah. Here the rabbis refer to their practice of linking verses from Proverbs, Ecclesiastes, and the Song of Songs with pentateuchal verses and decoding the former as references to the latter, thereby releasing, or generating, deeper meanings. In the case of the Song of Songs, since God’s love for Israel was manifested in the Exodus, in the revelation of the Torah at Mount Sinai, and in the construction of the sanctuary and Temple, the book is frequently linked with and decoded in terms of these events. In Song of Songs Rabbah 1:2:1, different sages apply the verse “Let him kiss me with the kisses of his mouth” (Song 1:2a) to different moments in Israel’s history, filling those moments with a passion and intimacy not evident in the original narrative. Similarly, in Song of Songs Rabbah 2:1:1, the verse “I am a rose [ḥavatselet] of Sharon” (Song of Songs 2:1) is interpreted as the speech of Israel at various times in her history—including the future redemption—creating a portrait of Israel as God’s precious beloved who blossoms in grateful response to His providential care. Finally, Song of Songs Rabbah 1:2:2 contains a self-promoting interpretation of Song of Songs 1:2b, “For your love is [or: lovers are] better than wine,” according to which the rabbis (lovers) and their teachings are more precious than the Torah (wine). In a hyperbolic expansion of this principle, the midrash claims that the violation of rabbinic halakhah is more severely punished than the violation of a positive biblical precept, that rabbis are superior to the prophets, and that the rabbis are to be obeyed even in cases of error.

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